By Catherine Dollez, Sylvie Pons
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Extra resources for Alter Ego + 3: Livre de l’élève
Or 1591, for that matter? PostReformation England had to buttress itself against Europe. Thomas Churchyard, in a text unambiguously entitled The Miserie of Flaunders, Calamitie of Fraunce, Missfortune of Portugal, Unquietness of Irelande, Trowbles of Scotlande: And the blessed State of ENGLANDE, rehearsed the dual position of the Elizabethan state as an island cut 18 Nation, State and Empire in English Renaissance Literature off from Europe, an island that both includes and excludes Scotland, Ireland and Wales: This ILE is kirnell of the Nutte, and those that neare us dwell, (Our forraine neighbours rounde aboute,) I counte them but the shell: That holdeth in this kirnell sweete, as Nature hath asciende.
Britain was made in Rome. This was a problem for those English writers who feared that their country was in danger of being consumed by an enlarged state whose imperialist aspirations came to resemble all to closely those of its Roman counterpart, a rejuvenation rather than a rejection of Empire. 6 Samuel Johnson castigated Cymbeline for its ‘confusion of the names and manners of different times’, but Shakespeare’s justiﬁcation of an innovative political union – by representing it as a process of reunion – demanded exactly such a level of con-fusion.
Where Warren sees the location of the play within an immediate historical context as a mere embellishment on the part of the playwright I would want to argue for a central and profound preoccupation with origin myths and ideas of union as structuring the action of the play. 15 One could make a case for seeing three later Stuart plays – Cymbeline, The Tempest and Henry VIII, written around 1609–13 – as meditations on the origins of Britishness, ancient and early modern, from Roman times to the Henrician Reformation and beyond to the Union of Crowns under James I and the Anglo-Scottish colonisation of Ireland that union engendered.
Alter Ego + 3: Livre de l’élève by Catherine Dollez, Sylvie Pons