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A companion to Virginia Woolf - download pdf or read online

By Jessica Schiff Berman (ed.)

ISBN-10: 1118457889

ISBN-13: 9781118457887

ISBN-10: 1118457900

ISBN-13: 9781118457900

ISBN-10: 1118457919

ISBN-13: 9781118457917

ISBN-10: 1118457935

ISBN-13: 9781118457931

"A spouse to Virginia Woolf is an intensive exam of her lifestyles, paintings, and a number of contexts in 33 essays written by way of top students within the field"--


A better half to Virginia Woolf is an intensive exam of her lifestyles, paintings, and a number of contexts in 33 essays written via best students within the field. Read more...

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Sussex was Woolf’s refuge, an inspiration for balanced life on a smaller scale than the great estates. The appeal of the country village near the coast was in keeping The Lives of Houses: Woolf and Biography 23 with pastoral or georgic literature evoking rural harmony, though the Woolfs and their friends avoided idealizing the provinces. Asheham was the second of the houses Vanessa and Virginia rented near Lewes, in Sussex, and it was the first country house that the Woolfs shared, from 1912 to 1919; Woolf wrote “A Haunted House” about its ghosts (Lee 1996: 311–313).

New York: Palgrave Macmillan. Gordon, Lyndall. 1985. Virginia Woolf: A Writer’s Life. New York: Norton. Gordon, Lyndall. 2005. ” Oxford Dictionary of National Biography. Oxford: Oxford University Press. Accessed January 20, 2015. http://www. edu/ view/article/37018. Hill-Miller, Katherine C. 2001. From the Lighthouse to Monk’s House: A Guide to Virginia Woolf’s Literary Landscapes. London: Duckworth. Jackson-Stops, Gervase, and National Trust (Great Britain). 1985. Writers at Home: National Trust Studies.

Woolf suggested that the short stories of the 1917–1921 period played a crucial role in the movement away from what she would come to define as the more conventional realist modes of the first two novels, The Voyage Out (1915) and Night and Day (1919), as she worked toward experiments with the novel form. In a 1930 letter to Ethel Smyth, Woolf wrote, in long retrospect, of “the day I wrote ‘The Mark on the Wall,’ all in a flash, as if flying, after being kept stone breaking for months” (Woolf 1978: 231).

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